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 <title>Cligne Cligne Magazine</title>
 <subtitle><![CDATA[Revue subjective des dessins pour enfants.]]></subtitle>
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   <title>The Wretched Stone</title>
   <updated>2017-06-22T11:55:00+02:00</updated>
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   <published>2017-06-21T15:11:00+02:00</published>
   <author><name>Loïc Boyer</name></author>
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Chris Van Allsburg     <div style="position:relative; text-align : center; padding-bottom: 1em;">
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      “I was happy with the book, but I knew from the instant I began that I was writing with a goal, an orientation that I’d never had before. It was partly my feelings about that book when I was done, that made me want to write something that was polemical, but also more allegorical, so that as I was telling an adventure story my message was buried a bit more. I wasn’t wearing my heart on my sleeve quite so much and I believed that it was possible to tell a story that was just a rip-roaring tale, but upon completion, you realized that it bore a message, and was, in fact, an allegory. That was&nbsp;<em>The Wretched Stone</em>. Now, nobody over 12 years old has a problem figuring out the allegory and maybe even getting to it long before the story’s complete. For them, it might feel a little polemical as well. When I get mail from younger kids, they’re still guessing about it, but they’ve often got a pretty good idea.” <br />  — Chris Van Allsburg, extrait d’un entretien à retrouver <a class="link" href="https://www.collaborativeclassroom.org/blog/2013/07/22/interview-with-chris-van-allsburg-part-1" target="_blank">ici</a>.
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      <em>The Wretched Stone</em> <br />  Chris Van Allsburg <br />  Houghton Mifflin, Boston, 1991.
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  <entry>
   <title>The Story of a Bragging Duck</title>
   <updated>2016-05-06T17:02:00+02:00</updated>
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   <published>2016-05-06T16:14:00+02:00</published>
   <author><name>Loïc Boyer</name></author>
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      Album tardif dans sa carrière littéraire&nbsp;<em>The Story of a Bragging Duck</em> pourrait faire partie de la bibliographie de Roger Duvoisin. <br />  Mais en réalité on&nbsp;retrouve chez ces animaux toute la souplesse que seul le pinceau de Juliet Kepes sait accorder aux créatures à poils et à plumes. <br />  Le jeu entre les aplats de couleur et le blanc du papier est également caractéristique du travail de celle qui a été abreuvée aux principes du Bauhaus.
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      <strong>The Story of a Bragging Duck</strong> <br />  Juliet Kepes <br />  Houghton Mifflin Company, Boston, 1983 &nbsp; &nbsp; <br />  32 pages, 240 x 170 mm.
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